
What Is AMPED.NYC?
AMPED.NYC is a documentary and recording project dedicated to capturing and sharing the performances of street artists in New York City. Through high-quality audio recordings, videos, and artist interviews, it provides a platform to showcase the work of performers who bring art to public spaces.
Street performance has always been an essential part of urban culture. New York’s parks, plazas, and subway stations have long been home to artists who transform public spaces into dynamic performance venues. These performances don’t just entertain—they create connections, shape the city’s identity, and challenge the boundaries between performer and audience.
However, because street performance is ephemeral by nature, much of this work is never recorded. AMPED.NYC seeks to document these performances, ensuring they aren’t lost to time.
Why Street Performance Matters
Street performance is a unique form of artistic expression that blends tradition, activism, and community engagement. Across the world, buskers shape city culture, using their art to tell stories, challenge social norms, and bring people together.
An iconic figure of New York’s street performance history and an inspiration for this project is Moondog. Moondog became a fixture on 6th Avenue during the 1950s and 1960s, often seen in a homemade Viking costume, performing his minimalist compositions on entirely self-crafted instruments. His music, blending elements of classical, jazz, and Native American rhythms, garnered admiration from contemporaries like Charlie Parker and Allen Ginsberg. Moondog’s presence on the streets of New York challenged conventional notions of performance spaces and artistic personas.
Street performance has long been an integral part of New York City, serving as a platform for artistic expression, community engagement, and cultural exchange. In the 1960s, Washington Square Park became the epicenter of the Greenwich Village folk revival. Every Sunday, musicians gathered around the park’s fountain, playing guitars, banjos, and drums. The park became a musical commons, where strangers met, expression was celebrated, and a community formed around live performance. This vibrant scene launched the careers of artists like Bob Dylan and Joan Baez, transforming the park into a communal space where music and activism intertwined.
AMPED.NYC builds upon this legacy by documenting and sharing the work of today’s street performers. Through high-quality recordings, videos, interviews, and photography, we aim to preserve street performance as a vital and accessible form of art, reflecting the city’s diversity and ever changing relationship with the arts.
Inspired by a Legacy of Research & Performance
AMPED.NYC builds on decades of research and documentation that explore the relationship between performance and public space. Influences include:

Sally Harrison-Pepper
Drawing a Circle in the Square: Street Performing in New York's Washington Square Park, 1990.

Susie J. Tanenbaum
Underground Harmonies: Music and Politics in the Subways of New York, 1995.

Heth Weinstein and Jed Weinstein
Buskers: The On-the-Streets, In-the-Trains, Off-the-Grid Memoir of Two New York City Street Musicians. 2010.

David Cassel
The Pavement Stage, 2012.

Jim Flynn
Sidewalk Saints: Life Portraits of New Orleans Street Performers. 2009.
Founder: Ryan Berg
AMPED.NYC was founded by Ryan Berg, a musician, audio engineer, and producer with a background in independent music and arts advocacy. Inspired by a passion for live performance and socially engaged art, Ryan launched AMPED.NYC to provide a lasting archive for street artists who contribute to the cultural identity of NYC.